Tukur Ridwan - The Millenial
The Friday Feature
The Millenial
To be a child is to crave the outside, kick balls, and get dirty,
Knowing that someone's waiting at home to clean up the mess.
By seven o'clock on a weekday evening, siblings are after me
Like a fugitive, at father's beck and call. I could get caught up
In an addictive video game centre—a child's foray into the
Underworld of gambling and zero-sum games. I'm surprised
That I never placed a bet, yet time was money. I took a whooping
For always taking the risk. Living the life of a lad who wanted
To feel the childhood euphoria in a child's casino, when the street
Football, table tennis and martial arts movie mimicry weren’t enough.
In my dreams, I owned a PlayStation. That was the height of wealth
For every boy in my hood, until a certain turning point soured
The taste of this indulgence. I got the last strike in grade school,
And sat my ass down to take the pounding of books on my brain.
Years passed by, and the outside became the sacrifice. But I grew.
To be grown is to be locked behind the door, out of the busy streets
Polluted by a mirage of hopes and carbons. Years down the line,
I reminisce about the boy who wanted the world in a game console,
Thanks to Facebook reels of the nineties pop culture, a remnant
Of which I witnessed post-nineties. I now work from home, writing
My way out of lack and obscurity. Stepping my lethargic feet outside
To get food items and whatnot. Memories of R-rated scenes,
And my past randy moments still trail me in my solitude when
I struck a boner, but I lost my mojo for asking for what my body wants.
I wish I could perform for acceptance, but I've grown too comfortable
In my skin. Only Friday nights remind me that I'm alone, as usual.
I can hardly hold a joystick for an hour without burning out. So,
I check my list of Hollywood cult classics, spend moments
Arguing politics with my religious mother, hours of chit-chatting
With a distant friend, and minutes, dialling phone numbers for my father.

From the Press:
This body of work presents a grounded reflection on the transition from the frantic energy of youth to the quiet, domesticated reality of adulthood. The way childhood is captured and defined by a world of physical movement, a high-stakes social hierarchy found at every street corner, and the tempting escape into the digital sphere.
Drifting into maturity, the narrative shifts into a modern, sedentary existence. There is a palpable sense of irony in the fact that the technology once craved is now a source of burnout, with the lens of the world now saturated in digital consumption as a passive experience.
Ridwan serves us a portrait of domestic stasis. He finds balance between the rambunctious youth and the lethargic adult through an acceptance of routine and quiet solitude—articulating how the outside world is wild and filled with risks, but trading that life for the comforts of the home, can often feel lonely and isolated.
About the Author:
Tukur Ridwan (He/Him) is a Nigerian author of three poetry chapbooks, poetry mentor at SprinNG Writing Fellowship, and the winner of Brigitte Poirson Monthly Poetry Prize (March 2018). Publications include Aké Review, Feral, Disabled Tales, Poetry Potion, Coalition Works, Stripes, Engendered, Afrocritik, and many more. His poems were shortlisted in the Collins Elesiro Poetry Contest (2019), the Eriata Oribhabor Poetry Prize (2020), the Bridgette James Poetry Competition (2025), and also featured in the "Eyes that Speak" Art Exhibition by Prince Saheed Adelakun in 2024. He loves black tea, sometimes coffee. X and IG @Oreal2kur
Chapbooks:
